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World Wrecking: Afro-Eschatology and the Spirit of Performance
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Dissolving the Academic Color Line: A Reading of Langston Hughes’s and Gwendolyn Bennett’s Poetry from the New Negro Renaissance Through a Pragmatic Lens Using William James’s Philosophy
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The Ethos of the Binge: drunkenness and modernity in twentieth-century New Orleans
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The Monstrous Mulatta: A Feminist Genealogy of a Peculiar Invention
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